William Stoehr
Opening the Window - A Look Into The Creative Mind of
World-Renowned Artist William Stoehr
By Kaylyn Aznavorian - Reality Serum Magazine
To be blunt, William Stoehr is a creative genius, and the world appears to agree. His inspiration stems from great artists such as Picasso, Willem de Kooning, Marlene Dumas, Rembrandt, and Leonardo to name a few, and it certainly shows. We asked which of his influences he'd love to meet if it were possible, and to no surprise, it was Picasso. "I would go back a hundred years and meet Picasso. I would like to paint alongside him. I am more interested in how he thought rather than how he painted. I am especially interested in how he perceived reality and how he thought we create visual images in our brain. I think he might have thought about such things."
William Stoehr's Stigma and Survival
By Simon Zalkind - Curator
I wasn’t prepared to be gut-punched by every painting that William showed me – simultaneously riveted and relieved to turn away. The oversized portraits – most of them 7’ x 5’ – are painfully intimate, simultaneously seductive and confrontational. They are difficult to look at and difficult to turn away from. As Susan Sontag remarked in “Regarding the Pain of Others”: “…The iconography of suffering has a long pedigree…Can you look at this? There is the satisfaction of being able to look at the image without flinching. There is the pleasure of flinching.”
National Public Radio - Morning Edition
2022
MONOLITH Contemporary Art Magazine - feature interview
The Visionary Projects - Artist Spotlight
Tenet Podcast - interview
Wie tickt die Kunstszene? Der Kunst-Podcast - interview
2021
Denver 7 abc NEWS and other Scripps outlets -feature interview
National Inst on Drug Abuse -NIH - podcast
National Public Radio - Morning Edition - feature interview
BBC - World News - article
Artful Brain Health - article
Arte Realizatta - feature interview
Mental Health News Network - article
Spreaker - you turn podcast - interview
2020
AR [T] MOIRE - feature interview
Ello – The Creators Network – featured
2019
NPR - City Lights WABE - interview
ARTS ATL - feature article
Westword - review
2018
Ello – The Creators Network – featured
Artospective – feature interview
Khaleejesque Magazine Kuwait - featured
1 HD Kuwait TV - featured
2017
Boulder Weekly – feature article
Boulder Daily Camera – feature article
Boulder Daily Camera – feature article
2016
Westword - review
2015
NPR Science Friday – interview
Reality Serum Magazine – feature article
Vision and Art - The Biology of Seeing
2014
Milano Art Expo – feature article
Saatchi Art - featured
SciArt in America - review
Denver ArtScape Gallery Directory – cover
Voice of R – International Youth Magazine – feature article
2013
Boulder Daily Camera/Times-Call, Colorado Daily – feature article
ColectiveArtsInk – podcast -interview
Westword – review
2012
Invisible Museum – feature article
2011
Westword – review
2010
Caribbean Art World Magazine – feature article
Boulder Daily Camera – feature article
2009
American Contemporary Art Magazine – feature article
2008
Destination US Virgin Islands Magazine – feature article
2007
Art Fusion Magazine – feature article
St John Tradewinds – feature article
An artist and a brain scientist are working together to reduce the stigma surrounding addiction. Both are determined to change society's view of addiction.
and other national news outlets
Artist uses his works to end addiction stigmas
By Elizabeth Ruiz - National Corespondent - Scripps - May 11, 2021
Efrat Cybulkiewicz - July 1, 2020
The faces he paints reflect the faces of those affected – the victims, witnesses and survivors of intolerance, addictions and violence. William Stoehr’s paintings are beautifully disturbing. He takes our natural and predisposed attraction to faces and uses this to arouse profound and penetrating emotions within us. Emotions that at times are difficult to engage with but are incredibly important to ourselves as well as the world around us. Stoehr aims to lure far-reaching and always relevant questions and subjects to our surfaces, in order for us as a collective to face them head on and in this turmoil possibly find solutions. His art is astonishing and mesmerizing and remarkably essential.
National Public Radio WABE Atlanta
City Lights with Lois Reitzes
William Stoehr is an artist whose work focuses on telling the stories of those who have suffered the most.
His exhibition at the Bill Lowe Gallery explores intolerance, discrimination, addiction and violence. The haunting portraits often span entire walls of galleries. His work usually consists of portraits with particular attention and detail paid toward the eyes of the subject.
“I paint to make a difference – to be part of a larger conversation – to engage, motivate and heal – to be part of the solution. It’s just who I want to be,” Stoehr said.
His exhibition runs through Oct. 18. Recently, Stoehr joined “City Lights” in-studio and talked about his path to becoming an artist.
Arte Realizzata
A Gleeming Conversation with William Stoehr
Written by uzomah ugwu
William Stoehr is an American artist based in Boulder, Colorado. His work has been exhibited internationally at universities, art centers, museums, and galleries. I had the pleasure of asking William about his favorite moments from working with kids, what makes art important to society, exploring the connection between neuroscience and art and so much more.
Kelly Stone
Speaking with him from his Boulder, Colorado studio, one gets the feeling Stoehr is in his element judging from the excitement with which he speaks about his recent works. This interview finds him midway through his newest series. For many modern artists and explorers alike, this is the dreaded moment of “what do I do next?”, a critical junction between a momentous start full of ideas and fervent work and the gradual waning of drive and longing for the next frontier. Surrounded by canvases many of which are on the verge of the final brush-stroke, Stoehr finds opportunity for new discoveries in the paint already applied and inspiration for the forms not yet realized. Stoehr’s aptitude in rendering the human figure is astounding.
William Stoehr, at Bill Lowe Gallery, says he paints
“to be part of a larger conversation”
GAIL O'NEILL ARTS ATLANTA SEPTEMBER 24, 2019
A pair of obsidian eyes stare out from a series of gigantic black strokes that suggest a face against a stark, white backdrop in William Stoehr’s Emma 2. A childlike graphic scrawled on the lower right corner of the 80-inch x 60-inch canvas reads, “Emma I promise to paint your portrait if you promise to go to rehab.”
Emma’s eyes shine, but it’s hard to tell if they’re brimming with tears or are radiant for reasons unknown. Her expression is ephemeral, and you fear that averting your gaze might cut off what little connection you have. But the temptation to look away is equally compelling — because bearing witness to what Stoehr calls “the purity of pain” is never easy.
Who is Emma? Is she in pain, or has she found relief? Is she asking a question or trying to convey an answer? Is the abstract rendering supposed to represent Emma? Or is it a depiction of the viewer?
Beauty and the Brain: Understanding Our Responses to Art
The field of neuroaesthetics uses techniques of neurology to understand our response to art.
by Stephanie Hughes, on March 6, 2015
And neuroaesthetic research can inspire artists, too. For instance, William Stoehr paints large-scale compositions of women’s faces and has been working on a project related to war and violence. Knowing from Connor’s research that rounded shapes seem to be more pleasing to viewers, Stoehr decided to use hard-edged lines to evoke faces that have witnessed or experienced violence. The visages that appear in paintings such as “No More Words #1” and “No More Words #2” appear starved and horrified.
Breaking Down the Stigma of Addiction
