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Art for Hope/Stigma and Survival/Victims Witnesses Survivors   

My exhibitions focus on substance use disorder and the stigma that surrounds it. My sister died of an opioid overdose. She might still be alive if it were not for prescription opioids and the stigma which suffocates discussion, blocks action and causes pain. 

 

My sister OD’d but, maybe to the millions affected, I can be part of a solution. I want to use my art to normalize the discussion and to help erase the stigma. I create a forum for not only the victims, witnesses and survivors of SUD and mental health related issues but also for medical practitioners, government administrators, legal professionals and elected officials. 

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  They Have Faces

It is never just one person that is impacted, and so the faces in the exhibit reflect the faces of all those affected.

 

I listen to the stories - families and communities devastated. It is all there - terror, intolerance, guilt, shame and helplessness as well as resilience, resolve, forgiveness, love and hope. 

I want people to start talking, to share stories, to begin to cope. Some come for the art but stay for the message.

 

People respond and promise action. Some thank me simply for acknowledging them - I exist. I am not alone. Others talk of finally starting that intervention. 

 

I want these exhibitions, along with presentations, panel discussions, handouts and participation by kindred organizations, to cut through the wall of stigma, to confront the mental health issues, to start conversations, to cause people to respond and feel the emotion and ultimately to take action before it is too late. 

                                                The Physical Exhibit

Universities, museums, art centers, galleries and other venues usually have their schedules fully booked well in advance. However, there are instances when unexpected openings occur, and in such cases, I am quick to respond with a variety of options for exhibitions. I have also successfully displayed my work in unconventional locations such as temporary galleries, warehouses, lobbies, churches, hallways, theaters and other atypical spaces. This exhibit is adaptable and can be adjusted in scale. Art for Hope has been showcased in different formats on more than ten occasions.

Here are a few examples of its various formats:

 

At the University of Wisconsin - Stout, the exhibit occupied around 230 feet of wall space, featuring 14 seven-foot paintings and 10 digital monitors displaying slide shows and videos. This is about 1700 sq. ft. in a two room museum/gallery space.

 

At the University of Science and Arts of Oklahoma, the exhibit covered approximately 250 linear feet of wall space and showcased 30 paintings.

 

The Lowe Gallery in Atlanta hosted the exhibit across more than 400 linear feet, displaying 50 paintings.

 

The Foothills Art Center in Golden included over 20 paintings, digital/hybrid art, and a multimedia presentation on roughly 200 linear feet.

 

At the University of Colorado it featured 12 seven-foot paintings and a multimedia presentation within about 120 linear feet or around 1400 sq. ft.

At the Boulder Creative Collective 30 large paintings were displayed on more than 200 linear feet in a large warehouse. The exhibit included 16 - seven foot paintings hung from the warehouse rafters.

During the University of Michigan display, my digital art was presented on a full-size movie theater screen.

 

At Space Gallery in Denver, there were 8 digital monitors and 25 paintings on display. This exhibit probably took up 2500 sq. ft.

 

My recent exhibition at the Pine Street Church in Boulder featured 14 seven-foot paintings mounted back-to-back on moveable trollies located in the center of the gathering space outside of the church worship area.

An upcoming exhibition at the National Institute of Health's National Institute on Drug Abuse Baltimore research clinic will occupy the first floor halls and visitor areas for most of 2025. It will include more than 20 large-scale paintings and 20 digital/hybrid paintings on paper mounted on aluminum. 

I can adjust the number of paintings, prints, monitors and projectors to fill a wide range of spaces. I have also done large concurrent exhibitions.

Installation time, depending on the size of the exhibit, is usually two days or less. Exhibits are typically displayed for three to six weeks. Here is a sampling of exhibit photos.

 

 About the Art

 

I paint large-scale acrylic on canvas and I also create hybrid-digital paintings which are shown on HDTV monitors or as projections as large as theater screens and also as Ultra HD prints.

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My art has been exhibited worldwide at universities, art centers, museums, and galleries. This link includes a list of exhibitions, awards and more.

 

These exhibitions and related activities have received considerable national and international media coverage including NPR Morning Edition, NPR Atlanta City Lights, BBC, ABC/Scripps and the Associated Press plus many more publications, TV broadcasts, podcasts and interviews. A sample of media coverage can be seen here.

                                               Recent Collaborations

My recent exhibit at Space Gallery - Denver was included in the programing for the College on Problems of Drug Dependence CPDD annual conference and the exhibit featured remarks by the National Institute on Drug Abuse's Deputy Director.

The National Institute on Drug Abuse's Director and I participated in a panel discussion along with professionals from the University of Colorado Anschutz Medical Campus at the opening of my University of Colorado exhibition. 

The Foothills Art Center exhibition included a panel with pertinent participants from Kaiser Permanente and a presentation from the Colorado School of Mines on the neuroscience of addiction. 

I co-created a public service video with the National Institute on Drug Abuse.

I have been a guest speaker specifically addressing the issue of Substance Use Disorder and stigma at the University of Wisconsin - Stout, the Washington DC Hospital Association, the State `of Colorado Department of Human Services, the University of Colorado Center for Bioethics and Humanities, Case Western Reserve University and at the National Institute on Drug Abuse's annual Director's Awards Ceremony. I was the featured speaker at the University of Colorado Conference for Interdisciplinary Drug and Alcohol Research. You can see a complete list here.

Two of my paintings are prominently featured in the opening credits in the two-part documentary Listen to the Silence: Women Trapped In The Opioid Epidemic  which aired on ABC affiliated stations nationwide and soon on PBS. These were produced by the six-time Emmy Award winning Diva Communications with whom I collaborate. 

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